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Traditional drum dancing and throat singing explained

Instructor Leanna Wilson teaches traditional cultural practices as part of Nunavut Parks' summer 'Learn To' series

Drum dancing and throat singing were originally gendered activities in Inuit society, as explained by Leanna Wilson at Nunavut Parks SA国际影视传媒淟earn ToSA国际影视传媒 session in the Iqaluit Visitors Centre on Aug. 6.

SA国际影视传媒淚t looks like we have people from almost every community in Nunavut here,SA国际影视传媒 says Wilson, originally from Pangirtung, looking at the group of 15 or so who assembled.

According to Wilson, throat singing was originally an activity performed by women as a way to pass the time in camp. The singing also aided their babies, carried in amautis, fall asleep by being soothed as a result of the vibrations through the womenSA国际影视传媒檚 backs. Over time, it became the source of friendly competition, with the goal of winning by making your opponent laugh.

Of about 20 songs that mimic sounds of the environment and surroundings, like geese, saws, wind, and mosquitoes, the guttural sounds of throat singing are intended to describe everyday occurrences.

SA国际影视传媒淭hereSA国际影视传媒檚 a lot of sounds I havenSA国际影视传媒檛 learned yet, and ISA国际影视传媒檝e been singing for seven years,SA国际影视传媒 says Wilson.

She also pointed out that the various dialects and stories, varying from region to region, have an impact on how throat singing is done.

To teach the group, Wilson divides them into two sections after having everyone repeat three basic patterns of a love song at length. One group, the SA国际影视传媒渓eaders,SA国际影视传媒 then start, with the SA国际影视传媒渇ollowersSA国际影视传媒 repeating the same sound a beat later.

Wilson, who is a substitute teacher in Iqaluit, says she practises by singing along to her own voice recorded on her phone.

SA国际影视传媒淚 find I really want to create my own throat sounds to recreate sounds you hear today. You can get really creative with it.SA国际影视传媒

Resolving conflicts, telling stories, and celebrating

For the second half of the session with Nunavut Parks' summer series, Wilson instructs the group on what was traditionally the male method of resolving conflicts: drum dancing.

The idea, she says, was to drum as long as possible until expelling all anger and resentment and tiring out an opponent first. The technique involved looking oneSA国际影视传媒檚 opponent long and hard in the eyes.

SA国际影视传媒淚t was used as a justice system,SA国际影视传媒 Wilson explains, SA国际影视传媒渢o let out anger and tell the truth. I wish this was our justice system today... now I find people have to live with their hardship till they go to court, which could take forever.SA国际影视传媒

Drum dancing was also a way to tell stories through song, using descriptive words and metaphors.

Wilson illustrates the various dancing techniques while demonstrating how to hit the drum on the rim, traditionally made out of driftwood or animal ribs, to get the desired sounds. Her movements mimic those of animals, such as rabbits, polar bears and caribou, in addition to demonstrating the SA国际影视传媒渕enSA国际影视传媒檚 position,SA国际影视传媒 which is lowering oneSA国际影视传媒檚 seat to the ground.

The tradition of drum dancing and throat singing remains very much alive in the Kivillaq region, she notes.

Nowadays, drum dancing and throat singing are often used in celebrations. As Wilson points out, Iqaluit is the only capital in North America that does not have its own performance arts centre.

 



Kira Wronska Dorward

About the Author: Kira Wronska Dorward

I attended Trinity College as an undergraduate at the University of Toronto, graduating in 2012 as a Specialist in History. In 2014 I successfully attained a Master of Arts in Modern History from UofT..
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