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Aqqusariaq ground-breaking a SA国际影视传媒榡oyfulSA国际影视传媒 occassion, but concerns remain over staffing and travel

Construction has officially begun on Aqqusariaq, the 24-bed addiction treatment and recovery centre set to open in Iqaluit in 2025.
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From left, Tooma Laisa and Leanna Wilson perform as Paunnakuluit at the ground-breaking ceremony for the new Aqqusariaq treatment centre being built in Iqaluit. The facility, which will include 24 beds, is expected to open in 2025. Tom Taylor/NNSL photo 釗瘁悈釖メ枙釗, 釕戓挭 釗氠悆釗 釔娽捇釖摋 釗曖悐釗 釔呩悆釔呩摨釗 釔羔悈釗囜懐釗椺悆釚戓枒釔娽枀釔翅懄 釔呩懐釔冡晲釗傖杻釚呩憥釗摋釖嬦懄 釚佱晻釔娽摫釚冡憥釖屷拑釚⑨憥釖 釔娽枀釕摯釙嗎悐釚 釖挜釗瘁晲釙曖拑 釗瘁搰釘悈釘枀釔冡杻釗椺枙釗. 釔冡挕釗椺晲釘悐釚, 24-釗 釔冡挕釗曖杻釙愥摋釗, 釔呩懐釔冡摎釙嬦摫釖嬦敪釔呩敧釚 2025-釖.

Construction has officially begun on Aqqusariaq, the 24-bed addiction treatment and recovery centre set to open in Iqaluit in 2025.

The large and interdisciplinary team behind Aqqusariaq hosted a ground-breaking ceremony at the future site of the facility on the morning of Aug. 14.

Despite the relentless swarms of mosquitos that filled the air that morning, a crowd of more than 50 people materialized to be part of an occasion Minister of Health John Main described as SA国际影视传媒渏oyful.SA国际影视传媒

SA国际影视传媒淲e know we have so much need in Nunavut,SA国际影视传媒 Main told a cluster of reporters after the event concluded. SA国际影视传媒淲orking together is how weSA国际影视传媒檙e really going to make things better and make things happen.SA国际影视传媒

The event began with an introduction from master of ceremonies Joanasie Akumalik. Elder Nash Sagiatook then led a traditional prayer in Inuktitut, which was followed by spirited singing and drumming from Leanna Wilson and Tooma Laisa, who perform together as Paunnakuluit.

Brief speeches were then given by Main, Vice President of Nunavut Tunngavik Incorporated (NTI) Paul Irngaut, Nunavut MP Lori Idlout, and the federal governmentSA国际影视传媒檚 Minister of Indigenous Services Patty Hajdu, who was visiting Nunavut for the first time.

When speeches had concluded, the same group then picked up shovels and dug into the earth for a ceremonial SA国际影视传媒渢undra turning.SA国际影视传媒

At present, the site if Aqqusariaq, which sits across from the Arctic Winter Games Arena and overlooks the Road to Nowhere, is little more than a cluster of wooden stakes denoting the future foot print of the facility.

However, local firm Tower Arctic will begin civil work on the site imminently, and Arctic Fresh Projects, the Iglulik-based company leading construction, will begin building the facility in the new year.

Aqqusariaq is expected to cost $83.7 million to completeSA国际影视传媒攁 substantial increase from its original $65-million price tag.

SA国际影视传媒淭here were cost overruns related to inflationary pressures,SA国际影视传媒 Main said of the increased cost. SA国际影视传媒淩ight now, compared to the original budget, the Nunavut government is taking on more of the cost of the project than we had initially planned. We are working with our federal partners at Infrastructure Canada, but weSA国际影视传媒檙e not sure if thatSA国际影视传媒檚 going to come through or not, in terms of the funding request that we have put in.SA国际影视传媒

That bulk of the cost of the project is being shared by the federal government, who are providing $42.1 million in funding, and the GN, who are expected to pay $41.6 million.

NTI is also set to contribute $5 million.

Programming for Aqqusariaq is currently in development. However, it has been confirmed that the facility will operate under what NTISA国际影视传媒檚 Irngaut called the SA国际影视传媒渢hree pillar approach.SA国际影视传媒 The three pillars, he explained, refer to on-the-land programming, the centre itself, and the development of an Inuit workforce.

Recruitment remains a significant concern ahead of AqqusariaqSA国际影视传媒檚 2025 opening, with industry expert James Ayodele from Cambridge Bay recently calling staffing SA国际影视传媒渙ne of the major operation issues that they could run into.SA国际影视传媒

However, NTI has committed $11.8 million in funding to train and development an Inuit workforce for Aqqusariaq, which Irngaut and Main are both optimistic will suffice.

SA国际影视传媒淲e already have peopleSA国际影视传媒攅specially EldersSA国际影视传媒攖hat help Inuit in their trauma and their addictions,SA国际影视传媒 Irngaut told reporters. SA国际影视传媒淲e are looking to those people, but also weSA国际影视传媒檒l do training of Inuit in specific fields that will help support this centre. ItSA国际影视传媒檚 in the initial stages, but we already have people who know how to help people, especially Inuit.SA国际影视传媒

SA国际影视传媒淭hereSA国际影视传媒檚 several options that are being looked at for the future governance of Aqqusariaq,SA国际影视传媒 Main added. SA国际影视传媒淚 think itSA国际影视传媒檚 clear that no matter what governance model is chosen, itSA国际影视传媒檚 going to be key to have a strong partnership with Nunavut Tunngavik in terms of developing the Inuit workforce and making sure that Inuit are hired into the facility to provide the services that are so badly needed.SA国际影视传媒

Idlout, like all of the speakers who stood behind the lectern at the event, clearly saw the creation of Aqqusariaq as a hugely positive development, and an affirmation of the things Inuit can achieve when working together.

SA国际影视传媒淲hen I first moved to Iqaluit, there used to be caribou roaming here,SA国际影视传媒 she said.

SA国际影视传媒淭he way that Inuit used to be is that they wouldnSA国际影视传媒檛 just wait for the caribou to arrive,SA国际影视传媒 she added. SA国际影视传媒淲e didnSA国际影视传媒檛 just wait for them to come, we went out to hunt caribou. ThatSA国际影视传媒檚 how we have to look at our mental health. If we need help, if weSA国际影视传媒檙e traumatized, if weSA国际影视传媒檙e having difficulties, we canSA国际影视传媒檛 just wait for services to come to us. Through colonialism, weSA国际影视传媒檝e been forced to wait and wait and wait. We have to start realizing that we can help ourselves.SA国际影视传媒

Many people in Nunavut have been closely following the plans to build a treatment centre in Iqaluit for years. That includes Tony Akoak, who represents the small Kitikmeot community of Gjoa Haven in the territorySA国际影视传媒檚 legislative assembly.

Akoak, who was in Yellowknife during AqqusariaqSA国际影视传媒檚 ground-breaking ceremony, said he is SA国际影视传媒渧ery happySA国际影视传媒 to see the facility going ahead.

SA国际影视传媒淲e want to keep people in the North where they belong,SA国际影视传媒 he said. SA国际影视传媒淚tSA国际影视传媒檚 better to keep them at home rather than sending them south.SA国际影视传媒

However, Akoak would ultimately like to see similar facilities open in other regions of the territory to further alleviate travel requirements among people who are already dealing with the strain of trauma and addiction.

SA国际影视传媒淣unavut is very wide,SA国际影视传媒 he said. SA国际影视传媒淚 wouldnSA国际影视传媒檛 mind a building like that up on this end of Nunavut so people can keep friends close by. ItSA国际影视传媒檇 be nice to have two facilities within the territory, on both ends.SA国际影视传媒

釙酷敧釗曖晢釗拫釔娽枀釗挭釘枀 釔娽枀釕摯釙嗎悐釚, 24-釗傖拑 釔冡挕釗曖摃 釔呩悆釙嗎摨釖敧釗曖晢釗傖枀 釔娽捇釖摋 釖挜釗瘁晲釙曖拑 釔娽暱釖冡摨釖敧釖冡懐釕 釔呩拑釕悆釙愥晻釚

釔冡杻釗椺枙釗 2025.

釔呩搫釚呩憪釖冡懐 釗摎釕愥敧釕 釗摎釕栣搨釕夅惓釕 釔娽枀釕摯釙嗎悐釚 釔呩拑釕悆釙愥搨釚冡枀釕庒摢釗椺拫釕 釚佱晻釔娽摫釚冡憥釖屷拑釚⑨憥釖 釔冡挕釗椺挕釘悐釚呩摯釔呩憠 釗摎釕栣搨

釔呩摢釗涐枔釗 釔娽拰釗 14.

釗勧杻釙堘憥釚冡摎釔呩枏釕︶憪釕 釙酷懄釕愥晢釔娽晪釗椺拹釗椺悐釙愥挭釕 釗摎釖 釔呩摢釗涐枒釗氠悈釚呩摨釖敧釖, 50 釔呩枔釕栣搨 釔冡搫釔冡懄 釔贬櫝釚呩憥釕曖悈釗涐枀釕愥挜釖 釔冡摎釔呩摎釔呩懖釖冡憪釕 釖メ搨釘呩憰 釔嬦搨釔娽杻釗囜枏釕愥摃釙嗎敤釖冡懐釕 釔呩杻釚呩惛釚 SA国际影视传媒楽A国际影视传媒欋惐釖冡懐釗囜枀.SA国际影视传媒橲A国际影视传媒 SA国际影视传媒楽A国际影视传媒欋杻釔呩敤釖敧釖嶀懄 釔贬敪釙嗎悐釚冡枀釕曖杻釔呩晪釕︶憰 釗勧搰釙椺捇釖,SA国际影视传媒橲A国际影视传媒 釖悆釗 釔呩杻釔呩斁釘ㄡ晽釚 釔贬暀釗曖悐釘摃釙嗎敤釗勧懄 釔娽搨釖嶀枀釗挭釗曖枀釕庒摢釗椺拲 釚佱晻釔娽摫釚冡憥釖屷拑釕愥懄. SA国际影视传媒楽A国际影视传媒欋惐釗曖晢釚冡憥釖屷枙釗傖拑釕懄 釔娽憪釙愥搨釔娽枀釕曖晽釕 釔娽暱釗敧釖挧釕 釔娽懖釔呩敧釖冡懐釖 釔娽捇釖摋 釔呩憪釗曖枀釕庒摢釗椺拲.SA国际影视传媒橲A国际影视传媒

釔呩懐釔冡枀釕庒暭釔呩摎釔呩枀釕愥枀 釕愥枔釗贬拑釕庒懄釕庒摋釕庒拑 釚佱晻釔娽摫釖冡憥釕庒晥釗樶敪釚呩憪釗勧懄 釕册挭釘ㄡ捇釖晢釖 釘悐釗囜摨 釔娽懐釖摃釖. 釔冡搻釗囜枀 釗囜攨 釗囜拫釔娽拑釕 釕愥拑釗悐釙愥搨釙愥挧釕 釔呩拑釕悆釚呩憰釔呩晽釚 釔冡搫釖冡憥釕愥懄, 釔呩拑釕悆釕曖悈釚冡憰釔呩拫釗摋釗 釔冡枏釚呩憥釗勧懄 釔娽捇釖摋 釙酷摎釔呩敪釚呩憥釗勧懄 釗曖悐釗 釙嗎悈釗搻 釔娽捇釖摋 釕戓挭 釗氠悆釗, 釔贬枒釔娽枀釚⑨憥釖 釔羔悈釗愥搰釕摋釔冡懄.

釔呩杻釗摎釖悈釕册拑釚⑨搨 釖悆釖, 釔娽枔釘枀釚 釕愥挕釗曖枔 釗勧搰釙椺懄 釕愥枔釙曖拑釕搻釗勧懄 (NTI) 釔 釔冡枔釔呩懄, 釗勧搰釙椺捇釖 釕挕釖愥枀釕愥枀釕 釗樶晢 釔冡摢釗氠悈釕, 釔娽捇釖摋 釗勧搰釚冡枀釚勧摨釖敧釗勧懄 釔贬敤釕︶憥釙嬦晲釕庒搫釕 釔贯憥 H釔娽斁釘, 釗晽釗摃釙愥挜 釔翅摏釙嗎悈釚呩憪釚 釗勧搰釙椺捇釖.

釔呩杻釗氠枙釗傖杻釗挭釗傖摃釚呩憥釗摋釖嬦懄, 釕册憪釚撫敧釗瘁悆釗愥搰釕 釕曖拑釕悐 釕庒拲釗晽釕 釔翅悐釙嗎敪釔呩捇釖 釔翅悐釙嗎敪釗晽釕 釗勧搰釖 釚佱晻釔娽摫釖嶀憥釚冡枀釚⑨憥釖 SA国际影视传媒楽A国际影视传媒欋悆釕晲釗囜枀釕愥枀 釔娽悈釗氠斁釘拑釔.釚匰A国际影视传媒橲A国际影视传媒

釔贬憥釗摋釖, 釗摎釕栣搨 釔娽枀釕摯釙嗎悐釕, 釔娽懎釕︶憥釔娽枔釗 釔呩懎釔呩拑釕懄 釔贬櫝釔娽晻釖♂敧釔娽晲釗冡懄 釗悐釙嗎敭釙愥晻釚撫懄 釔娽捇釖摋 釗滇枔釗摋釗 釗傖悐釚佱櫝釗, 釙酷敧釖冡摯釙堘摋釕愥悆釗囜悈釗愥搰釔呩枏釖懄 釗囜摋釗囜悆釕懄釕庒枀釗搨釚 釔冡搨釖嬦敪釔呩搨釔娽枀釕愥挧釕 釔冡挕釗椺晲釘悐釖冡摯釖п懄.

釔贬摢釗椺拲, 釗勧搰釗曖枙釗傖懄 釗囜枙釖メ搨釗栣懄 釕搰釔呩敪釗曖悈釙嬦摫釔娽枀釚⑨憥釖 釕曖晥 釔娽拑釕庒拑 釔贬拫釔娽摨釕册悈釕庒拫釗傖悐釚呩憪釕 釔贬摃釙嗎悐釖冡摯釖メ搨, 釔娽捇釖摋 釔娽拑釕庒拑 釙椺晢釘 釔贬摃釙嗎悐釖冡摯釚, 釔冡挕釗椺摃釖-釖 釗囜枙釖メ搨釕懄 釗晽釗曖枀釕 釙酷敧釗曖晢釗傖晲釖п懄, 釔贬拫釔娽晲釗傖悐釚呩憪 釔冡挕釗椺敧釔娽拑釗瘁晲釖 釔娽晪釖 釗勧憱釚.

釔娽枀釕摯釙嗎悐釚 釔冡懎釕册晲釗傖悐釙嬦摫釖嬦敪釔呩敧釚 $83.7 釖メ摃釔娽搻 釕栣挭釖メ拑 釔贬悐釗傖挕釗椺拲 鈭 釔娽懎釕︶憪釙嗎悐釚呩枹釗 釔娽懎釖嬦摋釔娽摎釔呩枀釕曖挜釗 $65- 釖メ摃釔娽搻 釕栣摎 釔娽懎釔呩摎釔呩枀釕愥枀.

SA国际影视传媒楽A国际影视传媒欋悐釔翅摢釗氠憥釗囜摎釔呩晲釖懄 釔贬斁釘憥釖嬦摢釗椺拲 釕摫釗曖挭釕 釔娽懎釕︶憪釙嗎悐釚呩枹釕庒拑 ,SA国际影视传媒橲A国际影视传媒 釖悆釗 釔呩杻釚呩惓釚 釔娽懎釕︶憪釚呩摨釖敧釕 釕摫釗曖挭釕. SA国际影视传媒楽A国际影视传媒欋挭釗愥搰釔呩敧釚, 釔冡懎釖嬦摎釔呩枀釕曖挜釗勧懄, 釖搰釔呩敧釚 釗勧搰釙椺懄 釖愥暀釖拹 釕册挭釗挭釗氠悈釕册懄釕愥枀 釔娽懎釖冡摯釚忈搻釗 釔贬摃釙嗎悐釖冡摯釕︶搫釕 釔娽暱釗贬摎釔呩懄釕曖懄釕庒拲釚忈懄釕愥枀. 釔贬摃釙嗎杻釕庒拫釘晽釕 釖愥暀釖憪釚冡拑釕懄 釔冡挕釗椺摃釔呩枀釕庒晲釘悐釚 釕册搰釕曖挜, 釕摨釔娽搨 釚冡悈釘ㄡ挭釚忈懄釕愥拲釕 釔贬搨釔娽憪釖愥摋釔娽晲釖枔釕, 釔冡斁釘憥釚冡枀釚⑨搨 釔冡懖釘摨釔娽晥釖敪釕︶憥釗愥搨 釕搰釔呩敪釗傖拑 釔贬敧釖敧釕庒挜釖 釕愥搨釗摎釔呩枀釕庒摢釗椺憰.SA国际影视传媒橲A国际影视传媒

釕搰釔呩敪釕册摢釗氠拑 釔贬摃釙嗎悐釖冡摯釖п懄 釔冡摎釚撫搨釖 釕愥搨釘悈釗摋釗 釖愥暀釖憪釚冡拑釕搻釗, 釕愥搨釗摢釗椺憥釖 $42.1 釖メ摃釔娽搻 釕栣摎 釔冡懖釘摨釔娽枀, 釔娽捇釖摋 釗勧搰釙椺懄 釖愥暀釖, 釔冡懎釗栣搨釔娽晪釗贬拫釘悈釗摃釕庒懄 $41.6 釖メ摃釔娽搻.

釗勧搰釙椺懄 釕愥枔釙曖拑 釕愥搨釗搨釔娽晲釗挭釗傖晪釚呩憪釕 $5 釖摃釔娽搻.

釔贬摃釙嗎悐釖冡摯釕 釔娽枀釕册摯釙嗎悐釙愥挧釕 釖搰釔呩敧釚 釔娽暱釖冡摫釚呩憰釔呩敧釚. 釔贬摢釗椺拲, 釕愥摯釚呩憰釔呩摨釖摃釚呩憪釚 釔冡挕釗椺晲釘悐釚 釔冡枏釖愥搨釚冡晲釗傖悐釙愥挭釕 釔呩杻釕愥枀 釗勧搰釙椺枀 釕愥枔釙曖拑釕懄 釔冡枔釔呩懄 釕曖悆釗摋釖 SA国际影视传媒楽A国际影视传媒欋惐釚撫摫釔冡摃釚冡枔釘枀 釕愥枔釙曖懄SA国际影视传媒橲A国际影视传媒 釔贬枔釗册摃釚冡枔釘枀 釕愥枔釙曖懄, 釔呩搨釕册悈釗晢釗椺搨釘踞敧釖, 釗勧搰釔冡搻釗囜晲釖メ懄 釔贬摃釙嗎悐釖冡摯釕, 釔冡搨釚撫搨, 釔娽捇釖摋 釔娽暱釖冡摫釔冡暀釗摃釔娽搨釚 釔冡搫釔冡懄 釔冡杻釗囜悆釘晥釗悐釗傖拑.

釔冡杻釗囜悆釘枀釕庒拑釗瘁搫釖 釔冡摫釖摋釚曖搰釙堘憰釔呩晽釚 釚冡悆釘挜 釔娽枀釕摯釙嗎悐 2025 釔呩懐釔冡晲釗傖晢釗涐枀釕曖枔, 釚冡悈釘ㄡ挭釘挭釙嗎拑 釔贬摃釙嗎悐釚戓敧釖冡摯釗傖拑 釘悆釖メ摨 釔娽悆釘憥釔 釔冡杻釗椺拑釕戓憥釔娽晲釖メ悈釕曖枀 釔呩杻釗滇摎釔呩枀釕愥枀 SA国际影视传媒樶悆釚冡搰釔冡敭釕庒杻釔冡搰釙愥搨釚 SA国际影视传媒楽A国际影视传媒欋悐釚忈敧釖冡懐釕 釔冡枏釙嬦搨釚 釕愥摋釚呩憰釙堘憥釚冡憪釔冡搰釙嗎悐釚冡晲釗傖枏釗愥搨釖.SA国际影视传媒橲A国际影视传媒

釕摨釔娽搨釗, 釗勧搰釙椺懄 釕愥枔釙曖拑 釕愥搨釗敧釖枙釖憰 $11.釗 釖メ摃釔娽搻 釔冡懖釘摨釔娽拑釗瘁枀 釔贬摢釗曖捇釖拑釗瘁悆釗傖晲釖п懄 釔娽捇釖摋 釔娽暱釖冡摫釔冡搨釚 釔冡搫釔冡拑釕愥懄 釔冡杻釗囜悆釘晥釗杻釙愥搨釚 釔娽枀釕摯釙嗎悐釙愥挧釕, 釔冡枔釔呩懄 釔娽捇釖摋 釖悆釗 釔贬敧釗愥搰釙堘搰釙嬦摫釖嬦敨釖.

SA国际影视传媒楽A国际影视传媒欋悆釚冡搰釔冡敪釚呩憥釚勧搨釖冡憪釖嶀懄 鈭 釔冡搻釗囜晲釗傖拑 鈭 釔娽懖釘晥釗愥搰釚呩憪釕 釔冡搫釔冡懄 釔娽拑釗贬晥釔娽摢釗氠拲釕庒拫釗挭釘挜釗勧懄 釔娽捇釖摋 釔呩悆釙嗎摨釖敧釗曖晢釗傖晲釖п懄,SA国际影视传媒橲A国际影视传媒 釔冡枔釔呩懄 釔呩杻釚呩惓釚. SA国际影视传媒楽A国际影视传媒欋暱釗傖枀釕愥拲釕 釔贬摃釙嗎敧釗愥搰釚呩憪釗傖拑, 釕摨釔娽搨 釔贬摃釖会挭釖冡摯釔冡搨釔娽晲釖メ敧釖嶀懄 釔冡搫釚曖搨釕 釕愥晫釕愥拑釕 釔冡杻釗囜悆釘拑釗瘁搫 釔冡懖釘憥釚冡晥釗愥搰釚呩憪釖 釖挜釗瘁晲釙曖枙釖п懄. 釚冡懐釗椺悐釗傖憪釔冡搰釚呩憪釚, 釕摨釔娽搨 釔冡搫釚勧搨釗曖枀釕愥拲釕 釚冡悈釘ㄡ挭釘搨釖 釔冡懖釘晲釗傖拑釕懄 釔冡搫釚曖搨釕, 釔贬晻釖冡憪釖メ拑 釔冡搫釔冡懄.SA国际影视传媒橲A国际影视传媒

SA国际影视传媒楽A国际影视传媒欋憪釙嬦晥釗愥搰釚呩憪釗 釙酷挜釙堘搨釚冡枀釕愥懄 釔娽憪釚呩憰釔呩敧釗愥搰釚呩憪釖メ拑 釔冡枏釙嬦敧釗悐釗傖拑 釔娽枀釕摰釙嗎悐釚,SA国际影视传媒 釖悆釗 釔冡摎釗晽釚. SA国际影视传媒楽A国际影视传媒欋憪釕摨釗囜搨釖冡憪釕 釗囜悈釕憪釔冡搻釗囜枀 釔娽憪釙嬦摋釔娽枀釔羔懄 釔冡枏釙嬦搨釚, 釕愥晪釙堘憰釔呩憥釔娽晥釗愥搰釙愥挭釕 釔贬摃釙嗎杻釕庒拰釕︶憥釔娽晲釗傖晲釖п懄 釗勧搰釙曖拑 釕愥拹釙曖拑釕搻釗 釔娽暱釖冡摫釔冡暀釗摃釔娽憥釗摋釖嬦懄 釔冡搫釔冡懄 釔冡杻釗囜悆釘枀釕庒搨釖 釔娽捇釖摋 釔冡搫釔冡懄 釗傖晥釔娽枀釕曖悈釗挭釚勧晲釗椺憥釖 釔冡杻釗囜悆釘拑釗瘁搫釕 釔贬敤釕︶憥釙嬦枀釕曖悈釘晢釔娽杻釖会挭釙嗎拑釕愥搫釕.SA国际影视传媒橲A国际影视传媒

釔冡摢釗氠悈釕, 釔呩杻釕庒懄釕庒憪釕 釗囜枏釚呩惓釚 釕曖悆釕册搨, 釕曖悈釕愥拑釕曖晽釕 釔娽暱2釔羔摢釗曖悐釘枀 釔娽枀釕摯釙嗎悐釚 釔娽拑釕愥憥釚冡憥釔娽晲釗傖悐釚呩憪釚 釔娽暱釖嬦悐釗曖枙釗勧懄, 釔娽捇釖摋 釔冡摃釚佱摨釖冡懐釕 釔娽憪釙愥摋釕庒拑 釔冡搫釔冡懄 釔嬦暱釖冡摨釗傖杻釕︶憥釔娽晥釗愥搰釙愥挭釕 釔贬摃釙嗎杻釕庒拰釚曖搨釖冡懐釕.

SA国际影视传媒楽A国际影视传媒欋悆釚冡摋釚曖搫釕 釗呩摯釚呩憥釗摋釚, 釕愥拑釕愥憰釚冡枀釔羔摎釔呩枀釗挭釘枀 釗囜搨釕愥悆釗愥搰 釗勧搰釗曖枙釗,SA国际影视传媒橲A国际影视传媒 釔呩杻釚呩惓釚.

SA国际影视传媒楽A国际影视传媒欋悆釗勧悆釕 釔贬杹釗枔釕庒拲釕, 釔呩憰釙酷憪釔冡搻釗囜杻釕︶憰釗氠悈釚忈捇釖憰 釕愥拑釕愥搨, 釔娽枒釗囜摫釖嬦悐釚呩枹釕庒拲 釕愥拑釕愥搨釖. 釕曖懐釘晢釔娽杻釚呩憰釙椺懄 釔冡摫釖晽釕 釕曖悆釖搻釗. 釔冡懖釘枀釕曖悈釘晢釔娽杻釙堘懄釕, 釕曖懐釙愥搨釙愥摋釖冡摨釖搨釕搬拲釕︶憰, 釔娽敧釙愥搰釚呩憪釚呩摨釔呩晥釕︶憰,

釔呩憰釙酷憪釔冡搰釙嗎悐釚冡枏釗愥搰釕︶憰 釔贬敤釕︶憥釙嬦枀釕曖悈釘憥釗傖拑. 釚冡摢釗椺搱釕 釔贬杹釗悐 釔娽摨釘踞敤釚呩憥釙嗎搻釗囜枀釕庒摢釗椺拲, 釔呩憰釙酷杹釘悈釕愥悆釗囜杻釕︶憰釙嬦懄釕, 釔呩憰釙 釔呩憰釙. 釔呩敤釙堘摫釗曖晥釗愥搰釙嗎悐釚冡枀釕愥拲釕 釔呩暀釕︶憥釗愥搨 釔冡懖釘晥釗愥搰釙愥搨釕︶憥釗愥搨 釗囜枙釖メ搨釚.SA国际影视传媒橲A国际影视传媒

釔呩搫釚呩憪釕 釗勧搰釙椺捇釖メ悈釕 釙酷挜釙堘搨釚冡枀釗摯釗曖晲釖憰 釔羔晲釗囜悆釗傖枀 釖挜釗瘁晲釙曖枙釖メ懄 釔冡杻釗椺枙釗 釔娽挜釗贬搫 釔娽晪釖嶀搫釕. 釔冡摎釔呩摢釗椺搨 釕戓搨 釔娽懐釔娽拑, 釕挕釖愥枀釕愥悆釘ㄡ晪釗涐枀 釙酷憥釙愥挜釔呩搫釕 釔呩枀釗贬枀釕愥挜 釖摃釖愥摃釔呩晲釙曖枙釖п懄.

釔娽懐釔娽拑, 釘摋釗囜悆釖メ摎釔呩枀釕愥枀 釔娽枀釕摯釙嗎悐釚 釔呩懎釔冡枀釕曖悈釕庒摢釗椺拲 釚佱晻釔娽摫釚曖搨釚冡枀釕庒摢釗椺拫釕, 釔呩杻釚呩惓釚, SA国际影视传媒楽A国际影视传媒欋杹釙曖悐釗贬晻釖♂敧釔娽晪釖A国际影视传媒橲A国际影视传媒 釕册敧釗枙釖懄 釔冡挕釗椺晲釘悐釖冡摯釚.

SA国际影视传媒楽A国际影视传媒欋悆釗勧悆釗 釔呩懎釔呩枀釕曖枀釕愥挜 釔冡搨釚忈搻釗冡杹釖愥懄釕庒拲 釔冡搨釚撫搨, SA国际影视传媒楽A国际影视传媒 釔呩杻釚呩惓釚. SA国际影视传媒楽A国际影视传媒欋悆釚忈晲釙嬦枀釗挭釕庒枽釚⑨憥釖 釔娽懖釔呩搨釚呩摯釔呩枙釖懄 釔娽悈釗摎釚呩憥釚忈枖釚⑨憥釖 釚冡摢釗椺搱 釗勧搰釗.SA国际影视传媒橲A国际影视传媒

釔贬摢釗椺拲, 釔娽懐釔娽拑 釕曖懐釘挭釙椺枀 釔娽敤釕册摯釚忈搻釗 釗瘁暱釕庒晢釗椺憥釕 釔娽晻釖冡憪釚呩憰釔呩摨釖敧釖冡懐釕 釗勧搰釙椺捇釖 釔娽悈釗摎釙嗎悐釚冡懖釕曖枙釗傖枀 釔呩摎釙曖摯釔冡枏釗摋釗 釔冡搫釚曖搫釕 釔娽拑釗贬晥釚呩摨釖搨釖冡憪釗勧懄 釔娽捇釖摋 釔呩悆釙嗎摨釖敧釗勧懄.

SA国际影视传媒楽A国际影视传媒欋搫釗囜晽釕 釔娽枏釘悐釗樶枙釖懄, SA国际影视传媒楽A国际影视传媒欋悈釚冡惓釚. SA国际影视传媒楽A国际影视传媒欋杻釗勧悆釖嬦搰釘枏釕曖晪 釗瘁搰釘杻釚呩惛釕 釕曖悆釖搻釗 釔冡摫釔娽搨 釕曖挭釗 釗勧搰釙椺捇釖 釔冡搫釔冡懄 釔冡摎釖メ搫釕 釚冡搨釕愥搰釙嬦敪釚呩惓釕. 釔娽懖釔呩搰釘枀釔翅枀 釖晧釚曖搨釕 釔冡挕釗椺晲釘悐釚呩憰釚冡枀釔羔懄 釔娽晻釖冡憪釚呩摨釖敧釖冡懐釕.





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