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Kitikmeot Heritage Society visits Smithsonian Museum in Washington, D.C.

By the time Mabel Etegik was born in 1943, the Inuinnait peopleSA国际影视传媒檚 traditional ihualik bow and arrow had all but vanished. She never saw one intact, and certainly never saw one being used.
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By the time Mabel Etegik was born in 1943, the Inuinnait peopleSA国际影视传媒檚 traditional ihualik bow and arrow had all but vanished. She never saw one intact, and certainly never saw one being used.

Yet she recalls glimpsing vestiges of the forgotten hunting tool in her childhood.

SA国际影视传媒淲hen I was young, my father already owned a gun, so I didnSA国际影视传媒檛 really see the bow and arrow,SA国际影视传媒 said Etegik, who serves as a board member and Elder in residence with the Kitikmeot Heritage Society (KHS) in Cambridge Bay. SA国际影视传媒淏ut I do remember the braided sinew that they used to make the bows.SA国际影视传媒

SA国际影视传媒淚 remember my younger brother had a play bow and arrow made out of caribou rib,SA国际影视传媒 she added.

Emily, Mabel and Charlie studying a bowcase. Photo: PI/KHS
Emily, Mabel and Charlie studying a bowcase. Photo: PI/KHS

The ihualik is one of several bows used by the Inuinnait, an Inuit group living in the Central Canadian Arctic, including the Kitikmeot Region of Nunavut. Unlike the bows made below the tree line, where long pieces of wood are readily available, the ihualik was constructed using three smaller pieces of wood, caribou antler, or muskox horn, and held together by caribou blood and braided sinew.

Anthropological records suggest it was accurate, even from significant distances, but it could not contend with the rifle, and by the early 1900s, it was already disappearing.

It may not be gone for good.

Etegik, along with four other members of the KHS, recently made the long flight south to Washington, D.C., where they visited the The Smithsonian Institution and the National Museum of the American Indian and, along with staff at the two facilities, began to unearth the mysteries of the ihualik with the ultimate goal of recreating one.

SA国际影视传媒淲eSA国际影视传媒檙e losing all of our Elders SA国际影视传媒 the most experienced people,SA国际影视传媒 said KHS MenSA国际影视传媒檚 Program Coordinator Charlie Ikkutisluk, who was also on the week-long trip. SA国际影视传媒淚SA国际影视传媒檓 very happy that I went down there to Washington to see the bows and arrows.SA国际影视传媒

The KHS team was joined by FranceSA国际影视传媒檚 Coline Lemaitre, a PhD Candidate at University Paris 1 Panth茅on-Sorbonne. Lemaitre has spent years studying the bows and arrows of West Alaska, and months working with the Smithsonian, so she had plenty of wisdom to share.

That she is also an experienced archer made her all the more valuable as the group sought to understand the workings of the ihualik.

SA国际影视传媒淚tSA国际影视传媒檚 very unique and itSA国际影视传媒檚 very specific,SA国际影视传媒 said Lemaitre. SA国际影视传媒淭hese bows and arrows were probably one of the most unique bow and arrow technologies in the world.SA国际影视传媒

SA国际影视传媒淚t hasnSA国际影视传媒檛 been made for a very, very long time.SA国际影视传媒

The hope among the Smithsonian team, according to Lemaitre, was that their visitors from Cambridge Bay would SA国际影视传媒渞emember or have ideas of how to make this bow.SA国际影视传媒

It was a fruitful effort.

Together, the group examined dozens of artifacts, many of which related to the ihualik, and by the time the trip concluded, had a much better understanding of its workings.

Lemaitre is now hard at work learning how to build the bow. For the moment, her efforts are mostly digital, as she uses a complex software called VirtualBow to test the design of the tool.

SA国际影视传媒淚 donSA国际影视传媒檛 have a lot of experience making bows,SA国际影视传媒 she said. SA国际影视传媒淢y experience is more with shooting. I know the feeling of shooting with different types of bows, and I know a lot about the mechanics.SA国际影视传媒

SA国际影视传媒淏ecause the type of bow ISA国际影视传媒檓 studying is very specific, this software isnSA国际影视传媒檛 perfect for that, so ISA国际影视传媒檓 also trying to figure out how I can use other technologies and 3D modelling and other simulations. ISA国际影视传媒檓 using all of that to try to understand how these bows could work.SA国际影视传媒

The groupSA国际影视传媒檚 efforts to bring back the ihualik are rooted in a desire to protect Inuinnait tradition.

According to Etegik, itSA国际影视传媒檚 also about protecting the language associated with the bow, much of which is not used in other contexts and has therefore disappeared along with the tool itself.

SA国际影视传媒淚tSA国际影视传媒檚 very important to keep the language,SA国际影视传媒 she said. SA国际影视传媒淎 lot of these old words [associated] with these traditional tools, you donSA国际影视传媒檛 hear them much anymore.SA国际影视传媒

SA国际影视传媒淚tSA国际影视传媒檚 very important to bring it back so we can keep our culture alive.SA国际影视传媒

If the KHS, Lemaitre and the Smithsonian are able to successfully recreate an ihualik bow, it remains to be seen who will be the first to use it.

It is said to require both strength and technique to fire, so an experienced archer like Lemaitre might make the most sense in the early going. Yet the hope is that ihualik bows will eventually end up back in the hands of the Inuinnait in Cambridge Bay and beyond.

Ikkutisluk says he would like to fire one, while Etegik can envision the ihualik in the hands of her grandson.

SA国际影视传媒淥ne day I hope to see that happen,SA国际影视传媒 she said. SA国际影视传媒淚 want to help keep the traditions alive, especially for my grandson.SA国际影视传媒

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Inuinnaq archer with an ihualik on Victoria Island May 19, 1916. Photo: John Hadley CMC 51167.
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Kringaudlik of Bathurst Inlet shooting arrow from bow at Cape Wollaston, May 19, 1916. Photo: Rudolph Anderson CMH 39039


About the Author: Tom Taylor

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